
In my first exposure to the indigenous culture of North America, I attended the Traditional Pow Wow and Harvest Festival at The Museum of Ontario Archaeology in London. But not before scouting the Museum grounds, spellbound as I was by recreated history, a cedar palisade, and a Carolinian forest. It promised to be a memorable three-day celebration.
During the Pow Wow, I enjoyed chatting with exhibitors, storytellers, dancers, potters, and Museum staff. In the elm longhouse, covered in birch bark segments, corn cakes cooked over smouldering fires, the smoke rising through holes in the roof. In one corner, surrounded by children, Nina 'of Many Names' (because she has married and divorced a few times) told the story of the corn husk dolls. Closer to the edge of the forest, members of the London Potters Guild recreated an ancient pit firing. Beyond, Museum staff taught children about archaeology at a hands-on dig.
Near the noon hour on 'Indian time', the Master of Ceremonies, Gordon Nicotine-Sands, announced the Grand Entry. To underscore its sacred nature, the MC requested no photos to be taken during this time. And so began the drumbeats from the ceremonial drum, as veterans and flag bearers solemnly entered the Arena through an easternmost portal, before circling to a certain protocol. More drumbeats followed, as did the chanting and dancing by dancers in regalia in each specific dance, according to custom. The view from my lens inspired images of impressionist-style movement, as my camera swayed in two-step time.
On the last day of the PowWow, a bald eagle circled high above, tipping its wings to the resonating drumbeats that closed the ceremony. It was a fitting signature to an unforgettable experience.